| El Gran Combo de Puerto Rico | |
|---|---|
Lead singers from left to right: Jerry Rivas, Charlie Aponte, and Papo Rosario. |
|
| Background information | |
| Origin | Puerto Rico |
| Genres | Salsa music |
| Years active | 1962–present |
| Website | www.elgrancombodepuertorico.net/ |
El Gran Combo de Puerto Rico, commonly known as El Gran Combo, is a Puerto Rican Salsa music orchestra. It is Puerto Rico's most successful musical group, and one of the most popular salsa orchestras across Latin America. The group received the moniker La Universidad de la Salsa (The University of Salsa) in Colombia, due to the sheer number of famous salsa musicians and singers who developed their careers with it, who started with the group (particularly Andy Montañez), or who were occasionally backed up by the band (including Celia Cruz, Héctor Lavoe and La India).
El Gran Combo was founded in May 1962,[1] by Rafael Ithier. Ithier is still nominally its musical director, and he and saxophonist Eddie "La Bala" Pérez are the only remaining members from the band's original lineup. as of 2010[update] Willie Sotelo, who joined the group in 2006 as pianist, has become the band's de facto musical director on tours, with Ithier conducting the group and playing occasionally in select live performances. They are still actively performing after 47 years together.[2]
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Rafael Ithier had been a member of Rafael Cortijo's "Cortijo y su Combo" orchestra. After singer Ismael Rivera faced legal problems in Panama, some of the group's musicians departed, with Ithier relocating temporarily to the eastern Guedes, the Cuban-born owner of the Gema recording label (and brother of comedic actor Guillermo), needed a backing band to record an album for legendary Dominican merengue singer Joseíto Mateo. He asked Ithier for assistance, and Ithier responded by bringing in many of his former colleagues to the studio. For their first recording sessions, the orchestra included some musicians from Cortijo's original lineup, including saxophonist Hector Santos, trumpet player Rogelio "Kito" Velez, and percussionists Martín Quiñones, Miguel Cruz and Roberto Roena. Alvarez Guedes was told by Ithier that the name of the group was El Gran Combo, as to refer to the musicians' former affiliation, but addressing their regrouping as a "new and improved" version of Cortijo's orchestra. The album they recorded was titled Menéame Los Mangos, El Gran Combo con Joseito Mateo (the phrase translates as Shake My Handles or Shake My Mangoes, a play on words).
The group met again to define the foundations of a proper orchestra and chose singers Daniel Vázquez, Pellín Rodríguez and Chiquitín García (who later composed, among other major EGC hits, "No Hago Más Ná", or "I Don't Do Anything Else"). On May 21, 1962, El Gran Combo was heard for the first time on Puerto Rican radio. Later on, they became the in-studio musicians of the live television show, "La Taberna India", sponsored by India Beer.
After their live debut at Hotel La Concha in San Juan, Puerto Rico, Chiquitín García left the orchestra. Vocalist Sammy Ayala, who had also played with Ithier in the Cortijo orchestra, recommended the hiring of Andy Montañez. Felipe Rodríguez, a legendary singer of romantic music, also followed the group's career closely, sometimes even making suggestions to Ithier.
On November 20, 1963, El Gran Combo released their first group album, Acángana, with Rodríguez and Montañez as lead singers. The album became a number one hit in New York, Panama and Puerto Rico. Their success opened doors for them in many Latin American markets and they gained an exclusivity spot on the Puerto Rican television show El Show de las 12. The album also reached gold status.
On 1964, trumpet player and arranger Elías Lopes joined the orchestra, coinciding with the group's first popularity wave. With their daily TV appearances and extensive touring, however, demand for the group declined due to overexposure. Still, in 1967, their album Boogaloo con el Gran Combo also reached gold status. In 1969, Roena and Lopes left the orchestra to form the Apollo Sound together. Despite all this, that same year the group was awarded an Agüeybana de Oro in Puerto Rico.
On February 15, 1970, the members of El Gran Combo shared a near death experience. They were returning to Puerto Rico from Curaçao, and had to stop at Las Américas International Airport in Santo Domingo. One of the band's members had a bad premonition about the flight they were about to embark on, and the orchestra decided not to take that flight, which would turn out to be the Dominicana Airlines DC-9 that crashed off the Caribbean coast.
In 1970, their contract with Gema Records wasn't renewed. Despite offers from the renowned Motown label, El Gran Combo decided to produce their own albums, under the label "Combo Records". Their first album under their label, EGC, is titled Estamos Primeros.
In 1971, El Gran Combo introduced the trombone to their instrument mix. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta (slang for "From Coast to Coast") was released. After recording that album Pellín Rodriguez left the group to embark on a solo career. Rodríguez was replaced by Charlie Aponte at the recommendation of Jerry Concepción and the well known sportscaster Rafael Bracero, both friends of Ithier.
In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert.
Montañez left the band in early 1977 and went to live in Venezuela, where he received a good contract to replace Oscar D'León in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status.
In 1975, El Gran Combo en Navidad, a Christmas album, was released, with Martín Quiñones appearing as Santa Claus in the album's cover. After an automobile accident in early 1977, Quiñones was replaced in the band by his son, Martín Quiñones Jr. He stayed until 1979, being replaced by Luis Díaz.
The band continues to receive numerous awards throughout Latin America. In 1984, they traveled to Alaska where they received a great welcome soon after they released their album titled Breaking the Ice which garnered them their first Grammy nomination.
In 1982 they celebrated their 20th anniversary playing at Madison Square Garden. They also reached Europe that year playing in Paris, France.
In the early 90s, they were honored in the city of Madrid, Spain to open the decade on the right track. On March 29, 1992, they celebrated a huge concert in the Hiram Bithorn Stadium in front of 30,000 people.
In 2002, El Gran Combo celebrated their 40th anniversary with two sold-out concerts at the Ruben Rodríguez Coliseum in Bayamón, Puerto Rico. This celebration spawned a renowned album that was recognized as one of the best of the year. A year later, they received a Grammy for Best Tropical Album. Among other musicians, they are one of the "enduring superstars of the island"[3]
As of 2006[update], the orchestra has released over 40 albums or CD's, and it has received many awards, including golden albums, a "Calendario de Plata" in Mexico, a "Golden Combo" in Colombia, a "Paoli Award" in their native Puerto Rico, an honorable distinction in Spain and countless others.
In 2006, they released their latest album titled Arroz con Habichuela ("Rice and Beans"). It has already spawned three hit singles. The first one titled "No Hay Manera" ("There's No Way"), the title song, and "Si La Vez Por Ahí".
In 2007, El Gran Combo performed two massive concerts at the José Miguel Agrelot Coliseum to celebrate their 45th anniversary.
In 2010, two tribute albums were released, one by former member Andy Montañez and another by the bank Banco Popular, as part of their annual music series.
In August 2011, El Gran Combo rewrote the lyrics to their own hit "No Hago Más Ná", or "I Don't Do Anything Else" that sang in satire about the day of a lazy person to a more positive "Echar Pa'lante" or "Moving Forward" which sang about the virtues of going to work. They also released a video with a positive introductory message which showed clips of working people in similarities with them playing instruments.
| Album | Year | Label |
|---|---|---|
| Menéame los Mangos, el Gran Combo con Joseito Mateo | 1962 | Gema Records |
| El Gran Combo... de Siempre | 1963 | Gema Records |
| Acángana | 1963 | Gema Records |
| Ojos Chinos, Jala Jala | 1964 | Gema Records |
| El Caballo Pelotero | 1965 | Gema Records |
| Traigo un Tumba'o, Meneíto Me | 1965 | Gema Records |
| El Swing del Gran Combo con Pellín y Andy | 1966 | Gema Records |
| El Gran Combo En Navidad | 1967 | Gema Records |
| Maldito Callo | 1967 | Gema Records |
| Esos Ojitos Negros | 1967 | Gema Records |
| Fiesta Con El Gran Combo | 1967 | Gema Records |
| Boleros Románticos Con El Gran Combo | 1967 | Gema Records |
| Tú Querías Boogaloo, Toma Boogaloo | 1967 | Gema Records |
| Pata Pata, Jala Jala Y Boogaloo | 1967 | Gema Records |
| Boogaloos Con El Gran Combo | 1967 | Gema Records |
| Tangos | 1967 | Gema Records |
| Merengues | 1968 | Gema Records |
| Guarachas | 1968 | Gema Records |
| Bombas, Bombas, Bombas | 1968 | Gema Records |
| Los Nenes Sicodélicos | 1968 | Gema Records |
| Latin Power | 1968 | Gema Records |
| Smile, It's El Gran Combo | 1968 | Gema Records |
| Este Si Que Es El Gran Combo | 1969 | Gema Records |
| Estamos Primeros | 1970 | EGC Records |
| De Punta A Punta | 1971 | EGC Records |
| Por El Libro | 1972 | EGC Records |
| En Acción | 1973 | EGC Records |
| Número 5 | 1973 | EGC Records |
| Disfrútelo Hasta El Cabo | 1974 | EGC Records |
| Número 7 | 1975 | EGC Records |
| Los Sorullos | 1975 | EGC Records |
| Mejor Que Nunca | 1976 | EGC Records |
| Internacional | 1977 | EGC Records |
| En Las Vegas | 1978 | Combo Records |
| Aquí No Se Sienta Nadie | 1979 | Combo Records |
| Unity | 1980 | Combo Records |
| Happy Days | 1981 | Combo Records |
| Nuestro Aniversario | 1982 | Combo Records |
| 20th Anniversary | 1982 | Combo Records |
| La Universidad De La Salsa | 1983 | Combo Records |
| In Alaska: Breaking The Ice | 1984 | Combo Records |
| Innovations | 1985 | Combo Records |
| Nuestra Musica | 1985 | Combo Records |
| Y Su Pueblo | 1986 | Combo Records |
| 25th Anniversary | 1987 | Combo Records |
| Romántico y Sabroso | 1988 | Combo Records |
| Amame | 1989 | Combo Records |
| Latin Up! | 1990 | Combo Records |
| Erupción | 1991 | Combo Records |
| Gracias | 1992 | Combo Records |
| First Class International | 1993 | Combo Records |
| La Ruta Del Sabor | 1994 | Combo Records |
| Para Todos Los Gustos | 1995 | Fonovisa Records |
| Por Todo Lo Alto | 1996 | Fonovisa Records |
| 35 Years Around The World | 1997 | Combo Records |
| Pasaporte Musical | 1998 | Combo Records |
| Nuevo Milenio, El Mismo Sabor | 2001 | Combo Records |
| 40 Aniversario | 2002 | Combo Records |
| Estamos Aqui...¡Y De Verdad! | 2004 | Sony Discos Norte |
| Arroz con Habichuela | 2006 | Sony Discos Norte |
| Sin Salsa No Hay Paraiso | 2009 | Sony Discos Norte |